// AutoVFX · for Premiere and After Effects

VFX used to take a week.
Now it takes a sentence.

Type what you want. AutoVFX renders it in your timeline. Relight scenes, replace backgrounds, remove objects, inside Premiere Pro and After Effects.

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Premiere Pro & After Effects · macOS & Windows

After
Before
Inside Premiere & AE
drag to compare ↔
// the walkthrough

See the plugin actually working,
from the person who built it.

// the maths

$1,200 from
a freelancer.
$0.30 a second from AutoVFX.

A single VFX shot from a freelancer: $300-1,500, plus a week of revisions. The same shot in AutoVFX: a sentence, a few minutes, dropped back on your timeline.

Hiring a VFX artist
  • × 1-2 weeks per shot
  • × $300-1,500 per shot
  • × 3+ revision rounds
  • × Hope they "get it"
  • × Out of your timeline, into email
AutoVFX
  • Minutes, not weeks
  • A sentence to describe it
  • Drop a reference image to guide it
  • Inside Premiere & After Effects
  • Ship the same day
// the work

Type a sentence.
See what's actually possible.

Real shots, real prompts, all generated inside the timeline. Drag the dividers.

prompt"change the background to a storage room"
After
Before
Background mode
prompt"add a pink tone to the scene"
After
Before
Relight mode·Performance untouched·Color & light only
prompt"put our subjects in a luxury penthouse"
After
Before
Background mode
prompt"change the environment to a volcano eruption"
After
Before
Background mode
// how it works

Three steps. No round-trips.

  1. 01

    Send a clip to the panel.

    Pick the in/out you want to work on. AutoVFX exports the range and brings it into the panel as the working shot. Everything else on your timeline stays where it is.

  2. 02

    Type what you want. Optionally drop a reference.

    Write the shot in plain English - "replace the background with a grass field" / "warm pink late-afternoon tone" / "remove the cable on the left". For looks that are hard to describe, drop a reference image (or grab the playhead frame) and AutoVFX will match it.

  3. 03

    Pick a mode. Generate. Import.

    Auto picks the workflow from your prompt. Or you can set it yourself: Relight for light and color only, Background for new backdrops with the subject preserved, VFX for bigger edits like removals and added props. The render comes back into the panel; click Import and it lands on your timeline at 4K, ready to grade.

// the modes

Four modes
that cover the work.

Pick one explicitly, or leave it on Auto and let AutoVFX read your prompt and route it to the right workflow.

Auto

Describe the shot. AutoVFX routes it.

"make this look like late golden hour"
Relight

Change lighting and mood.

"warm pink late-afternoon, soft window light"
Background

Swap the world behind the subject.

"put her in a Tokyo alley at night"
VFX

Removals, props, and effects.

"remove the cable on the left, add rain"
// editors using it

Real shots. Shipped to clients.

Love what PxlSafe has been doing in the music video editing scene. Making editors' lives easier with insane plugin ideas that actually work. Imagine if someone told you in 2018 there would be an AI Autocut and Auto VFX plugin. You can for real do an entire music video from start to finish in under an hour now.

Jakob / TINY TAPESMusic Video Editor

This honestly sped up the whole process of editing a video. If you're new to editing and you don't wanna deal with the tedious cuts and edits, this is an absolute game changer for running and gunning. I appreciate the whole team at PxlSafe.

H. GatsbyEditor

My favorite use is throwing a real photo from location into the reference slot. AutoVFX nails the light direction every time. It's like sending a freelancer the moodboard, except the freelancer is done in three minutes.

Carmen VasquezDirector

I run a small post house and the budget for VFX freelancers was eating us alive. AutoVFX is doing 80% of those shots in minutes. The other 20% we still hand off, but the budget math finally makes sense.

Priya N.Post Supervisor

Add fire. Add rain. Drop a reference of a Tokyo alley and your subject is in a Tokyo alley. The whole loop happens inside the panel, no exporting, no reimporting.

Daniel S.Music Video Editor

Dropping reference frames is the cheat code. You barely need to write a prompt. Just tell it what you want the shot to look like and point at the reference.

Ramiro CruzVerified reviewer

Ran my first big client shot through Background mode. Clean alpha, edges held up under a heavy grade. I expected to need cleanup work and there wasn't any.

Ana ReyesVFX Artist

The fact that the render lands back on my Premiere timeline at 4K, ready to grade, is the actual unlock. No exporting, no reimporting, no losing my place.

Hassan GhaffariVideo Editor

Mostly amazing. Auto mode picks the right workflow about nine times out of ten for me. The other ten percent I just override the mode and it gets there.

Erik SandellVerified reviewer

This is the first AI VFX tool I'd actually put on a client deliverable. Everything else stayed at cool demo, not shippable. AutoVFX crossed the line.

Sasha BertrandMotion Designer

Relight mode is sneaky good. I drop a reference of the look I want and four minutes later the shot just is that look. Used to be two hours of nodes.

Marco D.Colorist

Love what PxlSafe has been doing in the music video editing scene. Making editors' lives easier with insane plugin ideas that actually work. Imagine if someone told you in 2018 there would be an AI Autocut and Auto VFX plugin. You can for real do an entire music video from start to finish in under an hour now.

Jakob / TINY TAPESMusic Video Editor

This honestly sped up the whole process of editing a video. If you're new to editing and you don't wanna deal with the tedious cuts and edits, this is an absolute game changer for running and gunning. I appreciate the whole team at PxlSafe.

H. GatsbyEditor

My favorite use is throwing a real photo from location into the reference slot. AutoVFX nails the light direction every time. It's like sending a freelancer the moodboard, except the freelancer is done in three minutes.

Carmen VasquezDirector

I run a small post house and the budget for VFX freelancers was eating us alive. AutoVFX is doing 80% of those shots in minutes. The other 20% we still hand off, but the budget math finally makes sense.

Priya N.Post Supervisor

Add fire. Add rain. Drop a reference of a Tokyo alley and your subject is in a Tokyo alley. The whole loop happens inside the panel, no exporting, no reimporting.

Daniel S.Music Video Editor

Dropping reference frames is the cheat code. You barely need to write a prompt. Just tell it what you want the shot to look like and point at the reference.

Ramiro CruzVerified reviewer

Ran my first big client shot through Background mode. Clean alpha, edges held up under a heavy grade. I expected to need cleanup work and there wasn't any.

Ana ReyesVFX Artist

The fact that the render lands back on my Premiere timeline at 4K, ready to grade, is the actual unlock. No exporting, no reimporting, no losing my place.

Hassan GhaffariVideo Editor

Mostly amazing. Auto mode picks the right workflow about nine times out of ten for me. The other ten percent I just override the mode and it gets there.

Erik SandellVerified reviewer

This is the first AI VFX tool I'd actually put on a client deliverable. Everything else stayed at cool demo, not shippable. AutoVFX crossed the line.

Sasha BertrandMotion Designer

Relight mode is sneaky good. I drop a reference of the look I want and four minutes later the shot just is that look. Used to be two hours of nodes.

Marco D.Colorist

Was skeptical of the type a sentence framing. Ran six shots through it on a Friday. Every single one came back usable on the first or second try.

Tom HollisVerified reviewer

Took a shot that needed a sky replacement and clouds added. Done in two minutes. Would have been a half day in After Effects with stock plates.

Naveed KhanVerified reviewer

Used the remove object thing on a take where there was a boom in frame. Looked like the boom was never there. That alone paid for the year.

Rebecca LiuDirector & Editor

Subject preservation in Background mode is genuinely good. Hands and faces don't melt. That was my one fear and it just doesn't happen.

Lucia VentoAE Artist

Honestly didn't think AI VFX inside Premiere was going to be production usable yet. Gave AutoVFX a shot on a real spot. Shipped it.

Kenji ParkSenior Editor

You can create almost everything you think of, without any effort. This plugin is amazing, it sped up my workflow x100.

WanaxVerified reviewer

Setup took me longer than I expected, but the actual VFX once I'm in there is genuinely fast and good. Would buy again.

Quentin VassalloEditor

Clean edges. That's the part nobody else gets right. Hair, fabric, fingers, AutoVFX holds them all.

Otto LiljeströmEditor

Worth the subscription for Background mode alone.

Owen ParkVerified reviewer

My freelancer is going to be furious. Sorry, Tom.

Jules MendezEditor

VFX in a sentence is real now. Wild.

ZaneVerified reviewer

Was skeptical of the type a sentence framing. Ran six shots through it on a Friday. Every single one came back usable on the first or second try.

Tom HollisVerified reviewer

Took a shot that needed a sky replacement and clouds added. Done in two minutes. Would have been a half day in After Effects with stock plates.

Naveed KhanVerified reviewer

Used the remove object thing on a take where there was a boom in frame. Looked like the boom was never there. That alone paid for the year.

Rebecca LiuDirector & Editor

Subject preservation in Background mode is genuinely good. Hands and faces don't melt. That was my one fear and it just doesn't happen.

Lucia VentoAE Artist

Honestly didn't think AI VFX inside Premiere was going to be production usable yet. Gave AutoVFX a shot on a real spot. Shipped it.

Kenji ParkSenior Editor

You can create almost everything you think of, without any effort. This plugin is amazing, it sped up my workflow x100.

WanaxVerified reviewer

Setup took me longer than I expected, but the actual VFX once I'm in there is genuinely fast and good. Would buy again.

Quentin VassalloEditor

Clean edges. That's the part nobody else gets right. Hair, fabric, fingers, AutoVFX holds them all.

Otto LiljeströmEditor

Worth the subscription for Background mode alone.

Owen ParkVerified reviewer

My freelancer is going to be furious. Sorry, Tom.

Jules MendezEditor

VFX in a sentence is real now. Wild.

ZaneVerified reviewer
// pricing

Pick a plan. Start shipping.

Every plan is the full plugin. The difference is how much VFX you can render each month. Cancel anytime.

Starter
$79/ month

Billed monthly. Cancel anytime.

100 seconds of AI VFX / month
  • Premiere Pro & After Effects panel
  • All four modes: Auto, Relight, Background, VFX
  • macOS & Windows
  • Email support
Start with Starter

7-day money-back guarantee

Studio
$499/ month

Billed monthly. Cancel anytime.

1,000 seconds of AI VFX / month
  • Everything in Pro
  • 10× the seconds at the lowest per-second rate
  • Multiple seats (talk to us)
  • Dedicated render lane
  • Direct line to engineering
  • Onboarding call
Buy Studio

7-day money-back guarantee

Plans renew monthly. Unused seconds don't roll over — generous limits are designed to flex with the way you work.

// faq

Questions, answered.

Does this actually work in Premiere Pro and After Effects?
Yes. AutoVFX is a real Adobe extension - it lives as a panel inside Premiere Pro and After Effects on both macOS and Windows. You pick a clip on your timeline, type a prompt, and the rendered result lands back on the same timeline. Nothing leaves the host app.
What's the quality really like?
Broadcast-ready edges, clean alpha. Edge work on subjects is the part most AI VFX tools fall over on - we've optimised hard for that. The reviews above are from editors shipping to actual clients, not internal demos. The fastest way to know is the 7-day refund: try it on your hardest shot and decide.
What counts as a "second" of VFX?
Output footage. If the rendered shot is 4 seconds long, that's 4 seconds off your plan budget. Re-renders count too - if you don't love the first one and generate a second pass, that's another shot's worth of seconds. Worth keeping in mind: it makes your prompts and references more deliberate, which usually lands a better first try.
What's the reference image for?
Some looks are hard to put into words ("that specific kind of late-afternoon you only get in Lisbon"). Drop in an image - or grab the current playhead frame as a reference - and AutoVFX matches the light, color and mood. It's the fastest way to nail a look on the first try.
What if I run out of seconds before my plan renews?
You can upgrade (proration is handled automatically) or top up. On monthly billing that usually means mid-month; on yearly, mid-year until your renewal. We'll never silently start charging for overage — you'll always see a confirmation first.
Will my footage get sent somewhere?
Only the specific clip you're applying VFX to is sent to the render service so it can do its job. Footage isn't stored or used for training. Everything else on your timeline stays on your machine.
Can I edit the result like a normal clip?
Yes. The output is a regular video file on your timeline. Trim it, grade it, transition it, layer effects on it - it's just a clip.
Do I need any VFX experience?
No. If you can describe the shot you want in a sentence, AutoVFX can probably make it. The whole point is removing the technical floor that's kept VFX out of indie editors' hands.
Refunds?
7 days, no questions asked. If your first three real shots don't change how you work, email us at pxlsafesup@gmail.com and we'll refund the full amount.

Stop rotoscoping.
Start shipping shots.

Replace, relight, remove, generate - inside Premiere Pro and After Effects. From $79/month.

No spam. One click to unsubscribe.