// AutoVFX · for Premiere and After Effects
VFX used to take a week.
Now it takes a sentence.
Type what you want. AutoVFX renders it in your timeline. Relight scenes, replace backgrounds, remove objects, inside Premiere Pro and After Effects.
Premiere Pro & After Effects · macOS & Windows
See the plugin actually working,
from the person who built it.
// the maths
$1,200 from
a freelancer.
$0.30 a second from AutoVFX.
A single VFX shot from a freelancer: $300-1,500, plus a week of revisions. The same shot in AutoVFX: a sentence, a few minutes, dropped back on your timeline.
- × 1-2 weeks per shot
- × $300-1,500 per shot
- × 3+ revision rounds
- × Hope they "get it"
- × Out of your timeline, into email
- ✓ Minutes, not weeks
- ✓ A sentence to describe it
- ✓ Drop a reference image to guide it
- ✓ Inside Premiere & After Effects
- ✓ Ship the same day
Type a sentence.
See what's actually possible.
Real shots, real prompts, all generated inside the timeline. Drag the dividers.
Three steps. No round-trips.
- 01
Send a clip to the panel.
Pick the in/out you want to work on. AutoVFX exports the range and brings it into the panel as the working shot. Everything else on your timeline stays where it is.
- 02
Type what you want. Optionally drop a reference.
Write the shot in plain English - "replace the background with a grass field" / "warm pink late-afternoon tone" / "remove the cable on the left". For looks that are hard to describe, drop a reference image (or grab the playhead frame) and AutoVFX will match it.
- 03
Pick a mode. Generate. Import.
Auto picks the workflow from your prompt. Or you can set it yourself: Relight for light and color only, Background for new backdrops with the subject preserved, VFX for bigger edits like removals and added props. The render comes back into the panel; click Import and it lands on your timeline at 4K, ready to grade.
Four modes
that cover the work.
Pick one explicitly, or leave it on Auto and let AutoVFX read your prompt and route it to the right workflow.
Describe the shot. AutoVFX routes it.
"make this look like late golden hour"Change lighting and mood.
"warm pink late-afternoon, soft window light"Swap the world behind the subject.
"put her in a Tokyo alley at night"Removals, props, and effects.
"remove the cable on the left, add rain"Real shots. Shipped to clients.
“Love what PxlSafe has been doing in the music video editing scene. Making editors' lives easier with insane plugin ideas that actually work. Imagine if someone told you in 2018 there would be an AI Autocut and Auto VFX plugin. You can for real do an entire music video from start to finish in under an hour now.”
“This honestly sped up the whole process of editing a video. If you're new to editing and you don't wanna deal with the tedious cuts and edits, this is an absolute game changer for running and gunning. I appreciate the whole team at PxlSafe.”
“My favorite use is throwing a real photo from location into the reference slot. AutoVFX nails the light direction every time. It's like sending a freelancer the moodboard, except the freelancer is done in three minutes.”
“I run a small post house and the budget for VFX freelancers was eating us alive. AutoVFX is doing 80% of those shots in minutes. The other 20% we still hand off, but the budget math finally makes sense.”
“Add fire. Add rain. Drop a reference of a Tokyo alley and your subject is in a Tokyo alley. The whole loop happens inside the panel, no exporting, no reimporting.”
“Dropping reference frames is the cheat code. You barely need to write a prompt. Just tell it what you want the shot to look like and point at the reference.”
“Ran my first big client shot through Background mode. Clean alpha, edges held up under a heavy grade. I expected to need cleanup work and there wasn't any.”
“The fact that the render lands back on my Premiere timeline at 4K, ready to grade, is the actual unlock. No exporting, no reimporting, no losing my place.”
“Mostly amazing. Auto mode picks the right workflow about nine times out of ten for me. The other ten percent I just override the mode and it gets there.”
“This is the first AI VFX tool I'd actually put on a client deliverable. Everything else stayed at cool demo, not shippable. AutoVFX crossed the line.”
“Relight mode is sneaky good. I drop a reference of the look I want and four minutes later the shot just is that look. Used to be two hours of nodes.”
“Love what PxlSafe has been doing in the music video editing scene. Making editors' lives easier with insane plugin ideas that actually work. Imagine if someone told you in 2018 there would be an AI Autocut and Auto VFX plugin. You can for real do an entire music video from start to finish in under an hour now.”
“This honestly sped up the whole process of editing a video. If you're new to editing and you don't wanna deal with the tedious cuts and edits, this is an absolute game changer for running and gunning. I appreciate the whole team at PxlSafe.”
“My favorite use is throwing a real photo from location into the reference slot. AutoVFX nails the light direction every time. It's like sending a freelancer the moodboard, except the freelancer is done in three minutes.”
“I run a small post house and the budget for VFX freelancers was eating us alive. AutoVFX is doing 80% of those shots in minutes. The other 20% we still hand off, but the budget math finally makes sense.”
“Add fire. Add rain. Drop a reference of a Tokyo alley and your subject is in a Tokyo alley. The whole loop happens inside the panel, no exporting, no reimporting.”
“Dropping reference frames is the cheat code. You barely need to write a prompt. Just tell it what you want the shot to look like and point at the reference.”
“Ran my first big client shot through Background mode. Clean alpha, edges held up under a heavy grade. I expected to need cleanup work and there wasn't any.”
“The fact that the render lands back on my Premiere timeline at 4K, ready to grade, is the actual unlock. No exporting, no reimporting, no losing my place.”
“Mostly amazing. Auto mode picks the right workflow about nine times out of ten for me. The other ten percent I just override the mode and it gets there.”
“This is the first AI VFX tool I'd actually put on a client deliverable. Everything else stayed at cool demo, not shippable. AutoVFX crossed the line.”
“Relight mode is sneaky good. I drop a reference of the look I want and four minutes later the shot just is that look. Used to be two hours of nodes.”
“Was skeptical of the type a sentence framing. Ran six shots through it on a Friday. Every single one came back usable on the first or second try.”
“Took a shot that needed a sky replacement and clouds added. Done in two minutes. Would have been a half day in After Effects with stock plates.”
“Used the remove object thing on a take where there was a boom in frame. Looked like the boom was never there. That alone paid for the year.”
“Subject preservation in Background mode is genuinely good. Hands and faces don't melt. That was my one fear and it just doesn't happen.”
“Honestly didn't think AI VFX inside Premiere was going to be production usable yet. Gave AutoVFX a shot on a real spot. Shipped it.”
“You can create almost everything you think of, without any effort. This plugin is amazing, it sped up my workflow x100.”
“Setup took me longer than I expected, but the actual VFX once I'm in there is genuinely fast and good. Would buy again.”
“Clean edges. That's the part nobody else gets right. Hair, fabric, fingers, AutoVFX holds them all.”
“Worth the subscription for Background mode alone.”
“My freelancer is going to be furious. Sorry, Tom.”
“VFX in a sentence is real now. Wild.”
“Was skeptical of the type a sentence framing. Ran six shots through it on a Friday. Every single one came back usable on the first or second try.”
“Took a shot that needed a sky replacement and clouds added. Done in two minutes. Would have been a half day in After Effects with stock plates.”
“Used the remove object thing on a take where there was a boom in frame. Looked like the boom was never there. That alone paid for the year.”
“Subject preservation in Background mode is genuinely good. Hands and faces don't melt. That was my one fear and it just doesn't happen.”
“Honestly didn't think AI VFX inside Premiere was going to be production usable yet. Gave AutoVFX a shot on a real spot. Shipped it.”
“You can create almost everything you think of, without any effort. This plugin is amazing, it sped up my workflow x100.”
“Setup took me longer than I expected, but the actual VFX once I'm in there is genuinely fast and good. Would buy again.”
“Clean edges. That's the part nobody else gets right. Hair, fabric, fingers, AutoVFX holds them all.”
“Worth the subscription for Background mode alone.”
“My freelancer is going to be furious. Sorry, Tom.”
“VFX in a sentence is real now. Wild.”
Pick a plan. Start shipping.
Every plan is the full plugin. The difference is how much VFX you can render each month. Cancel anytime.
Billed monthly. Cancel anytime.
- Premiere Pro & After Effects panel
- All four modes: Auto, Relight, Background, VFX
- macOS & Windows
- Email support
7-day money-back guarantee
Billed monthly. Cancel anytime.
- Everything in Starter
- 2.2× the seconds, ~14% lower per-second cost
- Priority render queue
- Faster support response
- Early access to new modes
7-day money-back guarantee
Billed monthly. Cancel anytime.
- Everything in Pro
- 10× the seconds at the lowest per-second rate
- Multiple seats (talk to us)
- Dedicated render lane
- Direct line to engineering
- Onboarding call
7-day money-back guarantee
Plans renew monthly. Unused seconds don't roll over — generous limits are designed to flex with the way you work.
Questions, answered.
Does this actually work in Premiere Pro and After Effects?
What's the quality really like?
What counts as a "second" of VFX?
What's the reference image for?
What if I run out of seconds before my plan renews?
Will my footage get sent somewhere?
Can I edit the result like a normal clip?
Do I need any VFX experience?
Refunds?
Stop rotoscoping.
Start shipping shots.
Replace, relight, remove, generate - inside Premiere Pro and After Effects. From $79/month.
